20 Sep 2013

working for the weekend

I’ve been living in Boston for more than four years now. Unbelievable, but true. Four years is a long time. Longer than I lived in my college town. Definitely longer than we planned on staying here. Four years is long enough to forget you are living in a city, but also render the suburbs a bit foreign. I have, occasionally, marveled over a particularly large parking lot. But most of the time city-dwelling doesn’t seem impressive. Wake up, commute, work, come home, cook, chat, sleep. Same human condition, smaller parking lots.

It’s been four years, but I don’t think I’d call myself “settled’ in this place. No. I think most of my city-dwelling friends feel the same sense of drifty impermanence about their Boston lives – it’s fine for now, but life could take you somewhere else. Of course, when pressed, most of us can’t pin down where that somewhere else will be, which worries me. Are we, the drifty, childless twenty-somethings who couldn’t possibly live in Boston forever all going to end up living in Boston forever? Even though we all want to leave, are we all stuck, already?

Maybe we’re already stuck, but we sure do not acknowledge it. In fact, the folks I know live like they might leave any day. Or at least, they weekend like they might leave any day. There’s probably a metaphor for life somewhere in there, but all I know is that my friends are wont to turn down my more austere weekend plans because they are going to the Vineyard. Or up to Vermont, or over to Connecticut, taking the bus down to New York, apple picking with their cousins, hiking with their friends from college, [insert any other adorable twenty-something-in-New-England activity here]. I made some posturing a year ago that I would like to join the weekending yuppie fun (please note the “because of course we’re leaving” tone, and yet, we remain), but I think two weeks after I wrote that post, our car died. Then a few weeks later, a tree branch smashed our windshield. We’ve been car-less ever since, and it’s difficult to have yuppie-fun in New England without wheels.

We finally crossed one off the list, though; last weekend our friends invited us out to Cape Cod for the weekend. And while visiting the Cape might have been on my Yuppie-Fun-I-Promise-We’re-Moving bucket list, it is definitely the preferred destination for any and all permanent Bostonians. And I can 100% see why: it was like driving into a beautiful green suburb, where every house has beach chairs and a deck, a pool and a hot tub. And if you take a turn and drive a few miles to the north or south, then you are on the beach. The kitschy dive brunch places and neighborhood bars are well-populated and clean. There’s a Starbucks AND a Dunkin Donuts. All the neighbors wave when you drive by. Your dad has a boat. It’s a wonderland.

Sometimes I feel like Boston is eating me alive. This is probably largely due to reasons that would preclude me from ever owning a place on the Cape, but maybe that’s how everyone survives here. You have a beautiful Cape house to escape to, where it’s always vacation, where your weekday worries aren’t. I suppose it’s different if you’re not staying in a gorgeous rental home free of charge, drinking margaritas in a hot tub with your friends like a spoiled rich teenager, but I definitely see the appeal.

Let me summarize the logical flow of this post as such:

City Living is Rough, therefore we 20-something yuppies pretend like we aren’t going to stay here even though we can’t figure out where else we’d want to go. While engaging in such I’m-basically-just-a-tourist type weekending behavior, I discovered that City Living is probably better if you have a Beach House.

Important addendum: teacher salary + librarian salary / City Living = you are never, ever going to have a Beach House, so you better hope your dear sweet friends don’t move to Australia and leave you without the comforts of a delightful rent-free weekend on the Cape.

19 Sep 2013

The Moon and More by Sarah Dessen

This is not a proper book review. A collection of random thoughts. But aren’t most of my book reviews really just collections of thoughts with a few sentences of obligatory summary? Aren’t all book reviews just collections of thoughts with a few sentences of summary? Or, more likely, many sentences of summary and maybe one thought? But I’m not here to tell you what I think about book reviews and how nobody knows how to do it. I am here to talk to you about the latest installment of the Sarah Dessen oeuvre: The Moon and More.

Okay, fine, here’s your obligatory summary:

Colby is a beach town, a tourist town, but Emaline is Colby, born and bred. She lives with her mom, her stepdad, her stepsisters, helps run the family beach rental agency, and has a cute long-term boyfriend. Things were getting better with her birth dad – the tourist who knocked up her mom when she was still a teenager – but things get weird when he backs out on helping pay for her Columbia tuition, and weirder when he shows up in Colby with Emaline’s half brother for an extended stay. And things get weird with the boyfriend when an exuberant film student rents a beach house and catches Emaline’s attention.

Ms. Dessen is a writer of contemporary romance, yes. Her stories are hefty enough to make you feel like you’re not reading a romance, but there’s usually at least a bit of a swoon factor.

The Moon and More has a nice love triangle, but I would argue very little swoon. And on purpose. Trying to avoid spoilers, but let’s just say that Emaline is too pragmatic to really fall head over heels and that’s okay. I like that. Not every YA protagonist needs to be susceptible to romance – especially female ones.

So if there’s not swoon, is this still a romance? Not technically, but it’s still a book about romance. Personally, I think I like books about romance more than romances. There’s always a bit of a conceit in a teen romance that irks me, the conceit that if only these two Love Interests can get together then they will live Happily Ever After. Forever. It’s not spoken, but isn’t that the conceit of all romances?

Yes, folks do marry their high school sweethearts, but not often. And is that really the only love story worth telling? Is every teen romance a How I Met Your Mother (in high school) story? I like romance, yes, and I will swoon when called upon to swoon, but I’m more interested in other kinds of literary romance, which I think Dessen does well with in The Moon and More.

Related, I really liked Theo as almost an anti-romantic-hero. Again, conceptual spoilers ahoy, but most male love interests in teen romances start out a little flawed (or at least the heroine interprets the boy as flawed) and as their romance progresses, those flaws fade away, or the heroine sees them as strengths, or she comes to love them. Theo starts out perfect but by the end of the summer, Emaline sees the major flaws his perfect facade has been hiding. I’m making this sound like Theo is a murderer or a domestic abuser or something. He’s not. He’s just not so swoon-worthy, as most boyfriends are. Their romance takes a different shape.

I’ve been thinking a lot about the kind of YA I gravitate toward, and I will write more about that soon. The Moon and More could be classified as a Last Summer Before College Where Big Decisions Are Made book. I read a lot of these, intentionally or not. I think it’s a popular choice for YA authors for a lot of reasons. It gets their characters out of school. It lets the author write about an almost-adult while still sticking to YA literary conventions. There’s the count-down to fall to ramp up tension and lots of built-in conflicts. It allows for a lot of Pondering of Big Ideas (another Dessen fave).

Dessen has written other Last Summer Before College books (This Lullaby, Along for the Ride) but this one felt different to me. My hypothesis? Most Last Summer Before College books do not actually rely on the narrator going anywhere in particular; it’s the leaving that’s important, not the destination. College represents a vague adulthood, and before the protagonist can be an adult she best attend to some emotional issues otherwise her adulthood will be spoiled. The romance overlay implies that unless the protagonist learns to be vulnerable/open your heart/give people a chance/learn to love, then her future could very well be lonely and loveless. This is an unspoken proposition that makes me uncomfortable, and also, I don’t find it as interesting.

In The Moon and More, Dessen does the Last Summer Before College a little more justice. Emaline’s destination isn’t just a vague place far away – it’s a big part of the plot and ties in with her fraught relationship with her family and her hometown. The book is largely about the difference between moving far and staying close to home, and what that means to your identity. The focus on What’s Next might take focus away from Emaline’s emotional arc (which I think led some readers to call her boring and unrelatable), and definitely reduces the swoon factor, but I like the way the book feels like it’s leaning forwards instead of holding back. I could say something about nostalgia in teen novels here and how this book explores nostalgia while also escaping its claws, but my thoughts, they ramble.

In rough conclusion, I can see where Dessen is going here. The Moon and More might not have the tightest plot, the most likeable characters, or have that swoon that you were hoping for, but I can see where she’s going with her characters and I hope she keeps it up.

 

18 Sep 2013

on not writing

I used to write fiction.

I mean, I used to write pretty bad fiction, but it was fiction nonetheless. You know, imaginary people doing imaginary things.

I haven’t written anything significant in a few years. Probably more than a few years. I could give you all the reasons why I stopped, what led me to this sad place, but I think, at the end of the day, I don’t write because I can’t pin myself down. I have limited hours in the day, and I’m doing a crummy job of giving myself the physical and mental space to get any complex thinking done.

Also, when I do manage to get myself in a chair and in front of that awful Blank Word Document, the ideas don’t come. I can’t remember how it all works – the characters, the settings. Everything my brain imagines seem thin and sad. Flimsy. I force myself to follow a trail, just so I can put some black words on that white screen, but nothing sticks, nothing lights a fire in me, nothing seems worth the sustained effort to just sit in front of the white screen. I find something else to do instead.

This is probably not a unique problem. This is probably the problem of every failed writer, every person who slowly abandoned a dream. I’d like to think I have more perseverance than an everyperson – I do a lot of bizarre things that most people would find undesirable and unpleasant. I have that capacity. I don’t know. I feel like getting older, people take on a subconscious task – the task of making living comfortable. Streamline their interests. Get those eight hours of sleep. Buying nicer furniture, a second set of bedsheets, a car, a boat, a private jet. I’m not opposed to nice things, to conveniences and luxuries, but I also catch myself devoting more time and money on such pursuits than maybe I should. Maybe I should divert some of my time, my money, and my attention back to that writing thing that I seem to want to still do despite all evidence that I can’t do it. Maybe I need to stop hiding inside my comfortable lifestyle and make sacrifices. Maybe I need to stop thinking about minutes and hours, about efficiency and time management and start thinking about showing up and daily practice and putting down words. About having faith that the ideas will come. About doing what needs to be done.

I’m not writing but I’m always trying to write. Sometimes that feels like a good thing and sometimes it doesn’t feel like enough. Maybe next time I stop here to write about writing I’ll have a different tune to sing. Maybe my dishes will be dirty in the sink, my eyelids heavy at work after late nights spent with words, my creative cup full to the brim. That’s still where I’m hoping to go.

17 Sep 2013

2013 National Book Awards

Happy National Book Award week!

I am always excited for the NBA’s as they mark the official start of AWARDS SEASON! National Book. End of Year Book Lists. Alex & William C. Morris, then the rest of the ALA Youth Media Awards. Cybils. Throw the Oscars in there too. It’s a happy time of year for this nerd.

This year, the National Book Awards are embarking on an Excitement EXCITEMENT campaign, perhaps to lure in the interest of the less nerdy. Longer long lists, staggered announcements, and I’m sure something goofy with the award announcements on November 20th, too. Come on, normal people, get hyped about books.

 

It is no surprise whatsoever that I have read zero of these titles. Unless Clash of Kings is going to get some kind of retroactive nomination (in the young people’s lit category??) then the odds were really against me anyway. I am, however, really pleased with the line-up. The Atlantic posted some laughable excuse for journalism yesterday in which they took a repeated claim – that the National Book Awards favors obscure authors and titles – and applied it to this set of books, thus revealing that nobody on the god damn Atlantic staff has read a book for kids since Hop on Pop. This list is a star-studded kidlit smorgasborg.

First, we have Kathi Appelt with The True Blue Scouts of Sugar Man Swamp. Poor little unknown Appelt…. who earned an NBA nod not five years ago with her completely smashing middle grade novel The Underneath. I was just thinking about The Underneath, actually, and how much I loved it. It’s about a dog and a mess of cats living under a porch in the swamps of Louisiana, for goodness sake, and if the interwoven mythology and natural mysticism doesn’t get you, the language will knock you flat out. I have high hopes for Appelt’s bayou follow-up.

Kate DiCamillo is another middle grade hard-hitter I’m happy to see honored. I’ve had an ARC of Flora & Ulysses: The Illuminated Adventures in my desk for months. I also may or may not use a Flora & Ulysses tote bag to carry around my groceries. You’ll have to haunt my neighborhood Shaw’s to confirm. Also, Candlewick! Yay, rah! Long live the independent press and Boston-based kid lit!

Did any of you get around to reading Anne Ursu’s Breadcrumbs? I loved it, but it didn’t win any dang awards whatsoever. Awful. I was glad to see her latest fairytale remix – The Real Boy – getting some attention. Also, glad she teamed up with Erin McGuire again this year for illustrations – love both of her covers.

I feel like the Young People’s Literature category typically swings more towards young adult than middle grade (or picturebook, for that matter), so it was nice to see so many younger reads getting honored on this year’s shortlist. I haven’t heard much about Lisa Graff’s A Tangle of Knots or Cindy Kadohata’s The Thing About Luck, but they both look like middle grade I would like.

And then the YA contingent. Picture Me Gone – the latest from Printz-winner Meg Rosoff. Two Boys Kissing – the latest from bestselling David Levithan. Boxers & Saints – the long-awaited latest from Printz-winner (and bad-ass amazing dork) Gene Luen Yang. Man, look at all these obscure authors! Even Tom McNeal’s Far Far Away has earned a few starred reviews. I feel like the darkest horse in the bunch is Alaya Dawn Johnson’s The Summer Prince, and, strangely, the one title I want to read the most. Especially because Favorite Roommate alerted me to one of those scathing, gif-ridden Goodreads reviews. When an award-winning book gets bad consumer-reviews my interest is piqued.

Also see: Jessica’s Descent into Fantasy Madness.

Also see: I’m not going to have time to read any of these because Cybils.

16 Sep 2013

2013 Cybils Awards

Oh, 2013, where did you go? Wasn’t it just a few months ago that I was maxing out my library holds, throwing out my shoulders carrying home huge piles of weekend reading, waking up in the still hours of the freezing-cold-ass morning to plow through a quick book about the entire Civil War?

Nevertheless, it is time for the 2013 Cybils Awards. I am happy to be serving on the NEWLY CREATED (differentiated, migrated, mutated) Young Adult Nonfiction committee as a first round judge. Bring on the library holds! The spreadsheets! The ibuprofen!

Here are last year’s short-listed titles – some of my favorite reading in 2013, actually. And wow, did I learn so much about a bunch of random crap this year. Nonfiction committee work keeps you SMART, guys. I’m this much closer to being a certified genius.

Nominations for all Cybils categories will open October 1st – visit and nominate your favorite reads. If you have any early leads on a YA nonfiction title… uh… let me know. I have read all of zero YA nonfiction books this year! Which should make the next few months really REALLY fun! Right? But yeah, I’m going to need a 2 week head start, so send me any recommendations.

15 Sep 2013

seven things about rome, before i forget them

 

International travel was about as stressful as I imagined it would be, although I admit the stress was entirely me-related and not travel-related. There was airport confusion, haggling with cabbies, disorderly airport shuttles, and a missed train, but the anxiety surrounding potential problems was far greater than the actual experience. We made it through airports, into and out of cabs, and boarded the next train. It was important to me that I, oh, enjoy my honeymoon, so I actively tamped down the worry-frenzy, with mostly good results. And there were surprising conveniences along the way. Tolerable jet lag. An car service that took online requests and showed up on time to drive us to the airport at 5 a.m. How all you have to do in European airports is hand over your passport and people wave you on to your next destination. Complimentary airport meals, with little bottles of wine! It wasn’t all horrible. And you will note that we both lived to tell the tale.

We spent our first two nights in the Hotel Campo de’ Fiori, a very nice place to stay with numerous amenities but oh, the roof. The roof! The best part was definitely the roof. Comfy chairs, a canopy to keep off the sun until evening, multiple levels and seating areas,  and the breeze and the noises from the piazza below and the view, the view! Nobody else who was staying at the hotel wanted to spend any time up there, so we had a private Roman rooftop. No big deal. We ordered pizzas and desserts to go, scouted out 3 euro bottles of wine, and dined and drank al fresco while the sun set over the Vatican.

No big deal.

A few weeks before our trip, I logged onto my favorite food blog in search of a recipe, and saw that Deb had just returned from Rome. More importantly, Deb had just returned from Rome and she had found a cold coffee drink that happened to be served at a coffee shop within a mile of where we stayed. Just around the corner from the Pantheon, Tazza d’Oro was our Roman caffeination location. Coffee wasn’t too hard to come by in Rome, if you want a shot of hot espresso standing up at the bar. If you are a spoiled American with an automatically reloading Starbucks card and the weather is in the high 80s, then you want a giant vat of heavily iced coffee. Tazza d’Oro did not have any vats of American coffee, but those little espresso granitas were a delicious substitute. I eventually figured out the secret of Italian cold coffee – if you’re lucky, your barista might shake up that hot espresso with some ice and serve it to you that way. On our last day in Rome, we went back to Tazza d’Oro and I ordered a shakerado… which was served to me in a martini glass.

No big deal.

I think I am starting to reveal my secret intentions for our honeymoon. An exciting journey across the ocean to spend priceless time with my new husband? Or ten days of Eating Like I Never Have to Fit into a Wedding Dress Again. Prosciutto and cheeses and wine and pasta and pizza and gelato every day. Unless, of course, it was a two gelato day.

For one of our rooftop dinners, I claimed exhaustion and sent the boy out to fetch sustenance – he came back with a seafood pizza, complete with octopus suction cups and clams still in their shells. To get from Piazza Navona to our second location – an adorable Air BnB apartment – you had to walk between two restaurants advertising something called a Tartufo: the restaurant on the left boasted the best gelato and desserts in the world, the one of the right had signs warning of dessert imitators, they were the home of the first and best Tartufo in the world. Don’t even get me started on the wine… so, so good. So, so cheap. Rome: a wonderland of sugars and carbohydrates.

On our second day in Rome we decided to take a long walk to the Termini train station, to see exactly how much fun we would have lugging our baggage across town to get on our train to Venice the next day. On the way home, I told The Boy to take us home whichever way he desired.

Rome was like Boston in that respect – the roads never parallel, always twisting off in strange directions, and often leading past beautiful architecture or something truly ancient.

I didn’t know this yet, on that second day. I was truly surprised when he led me off the street and up a strange flight of alley stairs, took a sharp right and there was the Colosseum.

We took off for Venice just a few days after arriving in Rome. Two notable events involving our return to the mainland.

1) We got into Rome late. We missed our train coming back to Venice and were late to meet our Air BnB host. Exhaustion. Frustration. After settling into our little studio just outside Piazza Navona, we wanted to veg out on the Internet and cool off with the AC, both of which were selling points for this particular abode. Oh, and drink a bottle of wine. Unfortunately, the AC was subpar, we never did figure out how to connect to the Italian wifi, and it’s impossible to buy a bottle of wine in Rome after 9 p.m. We settled for sickly sweet limoncello over ice, in bed, while we watched the one new episode of Game of Thrones we’d downloaded in Venice.

Which was The Red Wedding.

Romantic.

2) Venice has no cars. Rome has billions of cars and zillions of scooters, and they all love to drive down little twisting roads you thought were pedestrian alleyways.

What I’m trying to say is that we almost died seven or eight times.

 

We had never been to Europe. We had never taken a long vacation together alone. We had never spent so much money on leisure, entertainment, and vino della casa.

But I suppose we also had never been married, either. Roma was our first destination, our first challenge. The first place we spent time together as married people.

It will probably be difficult to separate my fond memories of Rome from my fondness for this boy.

 

12 Sep 2013

The Spectacular Now

Two weekends ago, my sister came to visit me and we couldn’t decide on anything Boston-y that we should do. I even asked her if she wanted any food-stuffs that you can only get in the big city and she said “no, I’m on a migraine medication that kills my appetite so I don’t really eat.”

So I thought we could see a Sister Movie, as this particular sister and I have a very long track record of watching movies together. Our parents dropped us off at the theater to see Titanic in 1997. We saw Slumdog Millionaire together on Valentine’s Day – my sister sang me a love song while we waited in the concession line, but refused to share a Diet Coke.

We went to see The Spectacular Now, because the only movies ever pay money for are adaptations of children’s and YA books. Apparently. I read Tim Tharp’s The Spectacular Now just after starting my old blog, actually. I had just decided to start reading like a crazy person all the time, and The Spectacular Now caught my eye from the National Book Award shortlist.

I think I would like to read it again. The movie felt like a boiled down teen love story with a complicated, fairly unlikeable protagonist. I remember there being something more going on in the book, some more depth to Sutter’s world view. I liked the movie, though, for what it was, although I will admit to a major distraction:

Shailene Woodley in this movie looked fairly exactly like our youngest sister.

Tall, long of limb, always wearing her hair in a messy top-knot, freckles, little cute nose, long dark hair… it was fairly uncanny. And also, Shailene’s character, Aimee, was pretty much the same character as my sister. Quiet. Under the radar. Super smart. Beautiful. And into sci-fi. There’s a scene when Sutter comes into Aimee’s bedroom for the first time and it was pretty much my little sister’s bedroom, all animals and posters and twinkle lights. You know, the bedroom with the fairytale night stand? Yeah. That sister.

The association became rather distracting because I was basically watching a movie where my youngest sister falls in love with a slick alcoholic who will probably break her heart. Also, there’s a sex scene. Also also, that bedroom scene just screamed Manic Pixie Dreamgirl…  And then my mind started whirring – is my sister going to be someone’s MPDG? She did just start college – will she bring someone back to her dorm room and they will fall head over heels for her adorable posters and tchotchkes and vast knowledge of Pokemon? Do MPDGs actually occur in real life or are they persistent fictional female constructs?

I don’t think Movie Aimee is particular MPDG-y, and Book Aimee even less. In fact, I think part of what is interesting about The Spectacular Now is just how average Aimee is, and how Sutter has to learn how not to change her to his whims and also treat her life and interests with respect – even if she’s falling in love too fast, and even if Sutter can’t manage to treat his own life with respect.

It was also interesting to see the differences between how the book and the movie portray Sutter’s personal vices. The book is first person from Sutter’s POV, the whole story filtered through Sutter’s over-the-top perspective. Sutter’s voice is funny and brash and so well done, but Tharp definitely uses the strong voice to his narrative advantage, using it to distract the reader from how much Sutter is drinking, how many dangerous decisions he is making, and also the whole plotline about his father. On the screen, we watch Sutter sipping from his flask almost constantly – it sinks in much more quickly how damaged this boy is and how much progress he needs to make. I think the movie is sadder to watch than the book was to read.

Anyway, I would recommend seeing this film if for no other reason than to promote films based on YA books that are not big budget dystopian trilogies that end up flopping, discouraging movie producers and American film-goers from investing in anything Teen. I think I will give the book a re-read, or maybe try Mojo, which I unearthed from the bottom of my Drawer of Shame yesterday.

Also, if you would like to read a more movie-ly review of this film, please direct yourself to my dear friend’s blog, The Daley Screening. He is watching a movie every day for a year, in a panic celebration of turning 30 earlier this year, and blogging about it. It’s a pretty impressive task to behold. Also, he talks a lot more about booze in his review than I do, if you like that sort of thing. Which I do, but I like books more.

11 Sep 2013

library card exhibitionist

Please admire my new recently acquired sense of restraint. This is the world’s shortest list of check-outs! And you will notice that many of my holds are actually movies! And cookbooks! Those really don’t count, you know.

Anyone placing bets on how long this moderation will last? A week? Two weeks? I’ve never been known to hang onto reasonable behavior for very long.

 

Checked Out

The Sprouted Kitchen by Sara Forte

The Interestings by Meg Wolitzer

Spring Breakers

168 Hours by Laura Vanderkam (still working on this one…)

Five Summers by Una LaMarche

Rush by Maya Banks

The Make Good Art Speech by Neil Gaiman

The Yonahlossee Riding Camp for Girls by Anton DiSclafani

On Writing by Stephen King

The Gifts of Imperfection by Brene Brown

 

 

On Hold

The Boy on the Bridge by Natalie Standiford

Forgive Me, Leonard Peacock by Matthew Quick

Just One Day by Gayle Forman

The Infinite Moment of Us by Lauren Myracle

Somebody Up There Hates You by Hollis Seamon

The Thief by Megan Whalen Turner

Well Fed 2: More Paleo Recipes for People Who Love to Eat by Melissa Joulwan

The Kings of Summer

A Storm of Swords (audio) by George R. R. Martin (shut. up.)

Someday This Pain Will Be Useful To You (the movie!)

The Bling Ring

The Bone Season by Samantha Shannon

Before Sunrise

Game of Thrones Season Two (shut up again!! I just want to watch the extras…)

This is the End

 

 

 

10 Sep 2013

what to read now that i read again

Hey guys, I remembered how to read!

I’m anxious to keep the ball rolling, but I also had a minor league revelation last week. Okay, it’s a less than minor league revelation. I decided that I need to cut the bullshit and read more YA. Back to my roots. Stop reading shiny adult fiction just because it’s Shiny and New and In Front of You. I returned every non-YA book in my drawer of shame, cancelled all my non-YA holds. Amazingly liberating.  You guys all think I’m crazy, right?

However, now that I am reading more than one book a fortnight, it seems that ah… I’ve nothing much left to read.

In fact, here are my only next-read options, assuming I am avoiding my own bookshelves for the time being.

(No, I don’t need to read The Disreputable History of Frankie Landau-Banks for the 700th time…)

(Or do I…)

This season there were so many juicy summer camp books being published. The Interestings. The Yonahlossee Riding Camp for Girls. Both of those got sent back to the library during the Great Adult Fic Purge of 2013. The only summer camp book that survived is Una LaMarche’s Five Summers. I started reading this a few weeks ago while I ate my lunch at work – a common way I “audition” books without the commitment of carrying them all the way home – and it obviously didn’t hook me in terribly hard, otherwise I would still be reading it. But the point of being a Wide and Dedicated Reader isn’t just to read what hooks you, guys. Hate to break it to you. You have to have a certain stick-to-it-iveness. Readerly fortitude. Not every book holds its value in the first thirty pages, not every book lures you to read on with an irresistible pull.

I am saying this as if a mostly un-accoladed YA book about summer camp is a book packed dense with secret value. It probably isn’t. I should shut up… and read Natalie Standiford’s The Boy on the Bridge instead? My Favorite Roommate – otherwise known as The Best New Librarian in the State of Missouri – saw that I added this to my Goodreads queue and replied “DID YOU GET SUCKERED IN BY ALL THOSE BANNER ADS, TOO?” Except she didn’t do it in all caps, because she’s polite. You don’t become the Best New Librarian in the State of Missouri using all caps. Anyway, this book? Plastered all over Goodreads for a few days. Natalie Standiford is an author which I think I should like a lot, but I can never get around to actually reading one of her books. See also: A. S. King, Margo Lanagan, thislistcouldgoonindefinitely. This one is about studying abroad in the 80s and falling in love with a Russian.

Or, I could read this new Matthew Quick which is waiting for me on my hold shelf, Forgive Me, Leonard Peacock. This book is getting a decent amount of post-Silver Linings Playbook buzz. I like supporting YA authors who get mainstream buzz, even if I’m not a super-fan or anything. I’m a reasonable fan of Quick, not a super-fan. I also say “supporting YA authors” like I am buying books. I’m not. I should be. I know. But. I can’t. Isn’t it enough that I facilitated the purchasing of 11 copies using a municipal pool of money for my fellow citizens and I to share? I think so. Oh, and also reading it so I can potentially tell others to read it or blog about it or what have you. This is my contribution to the world, guys. This right here.

You could also lump Gayle Forman into that Paragraph #2 group of authors, except that I actually did read If I Stay. I liked it alright. Never read the sequel, and never read her new “series” – Just One Day. Another book about studying abroad and falling in love. Apparently this is what I’m into right now? Anyway, the sequel is coming out next month, which reminds me of how delinquent I am at reading anything in a timely fashion. Which is kind of the moral of this post. Which is why I’m going to stop writing it and read a motherf%^#ing book.

 

 

 

09 Sep 2013

Winger by Andrew Smith

I have been thinking a lot about realism lately. This might surprise some of you who may have caught onto the fact that I am currently going through a strange and intense fantasy fixation. But I suppose when you start thinking about one side of a coin it’s easy to flip, to start thinking about the other. Or when Jessica starts thinking about genre she can’t stop thinking about genre.

I studied realism – specifically contemporary realism for young adults – for a semester in grad school. The biggest takeaway? Realism is a complex literary genre filled with just as many structural and content-based expectations as the highest of fantasies. Also, realism does not equal reality. Also, also, can anyone even try to define the term “reality?” Go ahead and try. I’ll wait.

I’m not going to try to mash in a semester of hard study into this blog post, but Andrew Smith’s Winger reminded me of what I love so dearly about realism.

It’s the characters – Ryan Dean West, a fourteen-year-old junior at a boarding school who can’t quite fit in, who is in love with his brilliant, lovely best friend, Annie, who is awash with hormones and aggression and man-feelings. Life is constantly shooting him down for reasons that don’t make any sense. He’s adorable. Don’t tell him I said that.

It’s the settings – the intimate details of the places your protagonist lives that let you feel like you live there too. You could not have paid me to attend a boarding school as a child, but good boarding school books, like Winger, bring a school’s culture and landscape to life in such detail that I wish I had wanted to go.

It’s the voice – the language, rhythm, humor, cadence that bridges the gap between the character and his place, that not only shows you what life looks like for Ryan Dean but what it feels like to live his life.

It’s the way the plot doesn’t really exist – nothing really happens beyond Ryan Dean going to his classes and interacting with his friends and rugby teammates and trying to get into Annie’s pants. That’s not really a plot. But when the voice is good, the characters good, the place is good, then 100 pages go by, 200 pages, and I don’t notice the nothingness of the plot, and I definitely don’t care.

But when the author finally decides to drop down some major plot-points… well, my world is completely rocked and I’m horrified that the book has to end, that I won’t get to see Ryan Dean West through to the rest of his life. Just horrified.

Yeah, I really liked this book. Highly recommend.