All posts in: books

12 Jan 2013

library card exhibitionist

 

This edition of the Library Card Exhibitionist comes with the following complications:

1) On December 6th, I checked my account and noticed that a VAST majority of my checked out books were due on December 7th. And a frightening majority of that majority hit up against the five renewal limit, or were requested by other patrons.

I have a bad back/neck/shoulders, so to maintain my health and happiness, I am now sticking to a strict “No More Than 2 Books in Your Purse” rule. Unless I can trick The Boy into serving as my beast of burden with a full back-pack, I am doomed to overdue hell for awhile.

2) On December 3rd, I put a random hold on yet another book that caught my eye for one second and I thought about the shelf of (soon to be overdue) books on my shelf at home and I said to myself “JESSICA YOU ARE OUT OF CONTROL.” I have put myself in Hold Jail for awhile. I mean, I went ahead and put any books that I simply MUST read on hold on December 3rd, but other than that, I am done for awhile. I am not sure when I will be released from jail, but it will be awhile. It is about Kid Lit awards time, too – please admire my restraint. Or question my adherence to arbitrary, self-imposed rules, whichever you deem more appropriate.

Anyway, I am a neurotic librarian who needs more meaningful hobbies, but on with the show?

Checked Out

The Statistical Probability of Love at First Sight by Jennifer E. Smith

The Checklist Manifesto by Atul Gawande

The Particular Sadness of Lemon Cake by Aimee Bender

Rules of Civility by Amor Towles

You’re Not Doing it Right by Michael Ian Black

Blizzard of Glass by Sally M. Walker

Eclipse by Stephenie Meyer

Well Fed: Paleo Recipes for People Who Love to Eat by Melissa Joulwan

Tiny Beautiful Things by Cheryl Strayed

The Truth About Forever by Sarah Dessen

Dead End in Norvelt by Jack Gantos

The Plant Hunters by Anita Silvey

Ask Elizabeth by Elizabeth Berkley

Girls Like Us by Sheila Weller

The Molasses Flood by Deborah Kops

Kamakwie by Kathleen Martin

Life as We Knew It by Susan Beth Pfeffer

Martha Stewart’s Homekeeping Handbook by Martha Stewart

Rookie Yearbook One ed. by Tavi Gevinson

Superman versus the Ku Klux Klan by Rick Bowers

Temple Grandin by Sy Montgomery

This Lullaby by Sarah Dessen

Titanic: Voices from the Disaster by Deborah Hopkinson

Anna and the French Kiss by Stephanie Perkins

Motherland by Amy Sohn

The Raven Boys by Maggie Stiefvater

 

Checked Out and Overdue (!)

The Impostor’s Daughter: A True Memoir by Laurie Sandell

Silver Sparrow by Tayari Jones

Dinner: A Love Story by Jenny Rosenstrach

 

On Hold

Brazen Careerist: The New Rules for Success by Penelope Trunk

Carnet de Voyage by Craig Thompson

Marbles: Mania, Depression, Michelangelo, and Me by Ellen Forney

Meant to Be by Lauren Morrill

Nice Girls Don’t Get the Corner Office by Lois P. Frankel

The Pirates! Band of Misfits

The State: The Complete Series

Steal Like an Artist by Austin Kleon

The Little Book of Talent by Daniel Coyle

Paleo Slow Cooking by Chrissy Gower

It Starts with Food by Dallas Hartwig

Daring Greatly by Brene Brown

Invisible War

Love and Other Perishable Items by Laura Buzo

Get Some Headspace: How Mindfulness Can Change your Life in Ten Minutes a Day by Andy Puddicombe

5 Broken Cameras

The 12 Tribes of Hattie by Ayana Mathis

Building Stories by Christopher Ware

Days of Blood and Starlight by Laini Taylor

The Middlesteins by Jami Attenberg

Compliance

Beasts of the Southern Wild

Bared to You by Sylvia Day

The Smitten Kitchen Cookbook by Deb Perelman

The Best Exotic Marigold

The Signal and the Noise by Nate Silver

How Children Succeed by Paul Tough

Fifty Shades Freed by E.L. James

The Dark Knight Rises

Liberal Arts

Paranorman

Brave

 

10 Jan 2013

The Statistical Probability of Love at First Sight by Jennifer E. Smith

Since moving to Boston I have spent a decent amount of time hanging out in airports, alone. An airport is a strange space – everyone sitting close together, everyone paying a few hundred dollars for the privilege, everyone on a little personal mission to get home or get away.

I flew to and from Columbus, Ohio a few weeks ago; my first experience with Christmas travel. The planes were packed, the terminals busy, and everyone was talking. I talked to Dorothy on her way to Pennsylvania to celebrate Christmas with her niece even though she hates traveling in the winter and would have stayed home, but her son insisted, said that he would carry her the whole way there if he had to. At BWI, I listened to two men talk for a half hour, about their jobs, about Michigan and traveling for work and their families at home. Three college students from different Big Football-type schools sat in front of me on my final leg, and talked about Big Football-type things for the entire flight.

Everyone has a little story when they fly, and you feel alright asking a stranger what that story is, because they are in the airport with you so they must have one. Jennifer E. Smith takes this concept to its most romantic possibilities in The Statistical Probability of Love at First Sight. Having missed her scheduled flight, Hadley meets Oliver, a fantasy seat-mate for a long flight: cute, chatty, and British. They share their little stories that end up being big ones: Hadley is on her way to London to see her dad for the first time in a year… as he marries her new step-mom, Oliver is returning home from Yale even though he likes it better in the States. Flirtation rises, then the plane lands and they are hustled apart – Hadley has to attend the wedding she is dreading… but will she see Oliver again? Will life ever feel as carefree as when she was with him, in the air?

I am making this book sound much more schmaltzy than it is. The timeline is short, but Smith doesn’t overshoot the Love at First Sight-yness of it all (despite the title); it’s a reasonable amount of attraction. Hadley and Oliver fall in love the way that I love characters in books to fall in love -gradually, with good sense, maybe without realizing. And the third person narration keeps the book from feeling like a drama-fest, full of Hadley’s over-the-top emotions; we, the readers, have just enough distance to allow us to observe when she overreacts without having to roll our eyes too much.

I do wish that the ending had been a bit less frantic, less full of fortuitous Dickens quotes, but hey, when in London, read Dickens, right? Quick, fresh, and fun.

09 Jan 2013

blogging milestones

I have been blogging since I was just barely eighteen.

It took me almost ten years, but, ladies and gents, I have finally turned a tidy profit on this here blog.

And by “turned a profit” I don’t actually mean “turned a profit” – I mean, I got my first 10 dollar Amazon Affiliates gift card.

Thanks to all of you for clicking upon my links here, and then buying the books I talk about… or buying whatever else it is that you desire.

Instead of using my Amazon bucks to buy some random sundry item or a pack of highlighters or a few on sale DVDs, I thought it would be fitting to buy… oh… a book.

After much deliberation, I picked a book that falls into a very special category of books: the books that I check out from the library over and over and OVER again and never finish and also when I read these books I want to write all over them and highlight and generally destroy. I picked E. M. Forster’s Aspects of the Novel.

Thank you thank you. Happy reading!

 

08 Jan 2013

middle school realism: where art thou?

I was recently charged with a task I thought would be straightforward and fun – assemble five great realism titles, published relatively recently, that will appear on the Grades 6 through 8 summer reading list. Oh, I like realism! And kind-of-YA! Straightforward! Fun!

Yeah, no, it sucked. It was REALLY HARD!  I browsed through all my 2012 review journals, blog-surfed, awards list, my own reading… and pickings were surprisingly slim. Where is all the middle school realism hiding, friends?

This struggle could have been due to my strangely particular parameters – no fantasy, of course, but no mysteries, and no historical either. But once you eliminate those, you are not left with much. I know that fantasy and sci-fi have taken over the YA market, but I think that YA has a steady niche for new, contemporary realism authors to squeeze in. I’m afraid, though, that the slightly-younger-YA scene is a little more decimated.

 

This struggle could also be a product of my own reading tastes. Yes, I adore realism – I do now, and I did when I was in middle school. The 90s, however, seemed to provide a little more fodder for my tastes than these aught-10’s seem to be providing. I’ve told you a million times about how much I love Alice McKinley, who fits neatly into that little bump between MG and YA. I was also a fan of Todd Strasser (How I Changed My Life was probably my favorite), Ron Koertge’s Confess-o-rama, and everything Judy Blume. Some of my favorites did qualify as young-YA, some as definite middle grade. Maybe this is why the 6th to 8th grade range is hard to nail down – it straddles publishing ranges, library shelving arrangements, and my it’s probably just much simple to write/publish a book with “up to 5th grade”age range or “9th and up.” It’s straightforward. Easy. Fun.

Anyway, I wish there were more realism titles published for this age group, more resources for promoting and discovering new books and authors, because it would have made my job easier, yes, but also because I think middle school is an important reading age. At least it was for me – what all of those above books have in common is that someone put them in my hand. Christmas presents, birthday gifts, recommendations from my librarian mother. A grown-up found them for me, gave them to me, and because I wasn’t a competitive reader, had little to no established reading tastes, and because my parents didn’t allow me to own video game consoles, I read them. And I liked them. And they helped me become the reader I am. As much as I love that boy wizard, I think that most boys and girls should enter high school having read something other than Harry Potter, just in case they might like it.

In case you have a 2010s middle schooler to hand a book to who doesn’t want to read any of my 90s wonders above, here’s a rather short list of some of the titles I did manage to pin down:

 

07 Jan 2013

Cybils YA/MG Nonfiction Shortlist

There was a strange day a few weeks ago, when I woke up in the morning and had the strangest thought:

“Gee… I don’t have to read any nonfiction books today!”

Almost three months of wild and crazy nonfiction reading, we whittled an extremely large amount of books – too many of which were just REALLY AMAZING – into a very short short list. This was especially challenging because we were reading everything beyond picturebooks – books for third-graders, books for twelfth graders, and everything in between. At times, it felt like we were comparing apples and oranges. Or Martin Luther King and Abraham Lincoln.

Some of these were my all-time favorites of 2012, and I was just delighted when the rest of my committee agreed. Here are the stellar books we decided on – you can read full blurbs on the Cybils page. Now it’s up to the second round committee to pick a winner – I do not envy this task, but am excited for February 14th to see which book will be the big winner!

I did enjoy my inaugural Cybils experience… but I will also enjoy reading whatever the heck I want for awhile.

Bomb: The Race to Build – an Steal – the world’s Most Dangerous Weapon by Steve Sheinkin (review here)

Last Airlift: A Vietnamese Orphan’s Rescue from War by Marsha Forchuk Skrypuch (review here)

Temple Grandin: How the Girl Who Loves Cows Embraced Autism and Changed the World by Sy Montgomery

Titanic: Voices from the Disaster by Deborah Hopkinson (review here)

Moonbird: A Year on the Wing with the Great Survivor B95 by Phillip Hoose (review here)

 

05 Jan 2013

Brain on Fire by Susannah Cahalan

I remember the summer after my high school graduation as one gigantic downward spiral of anxiety. It started with weird job hours, then add in play rehearsals, then add in a break-up, then add in your boyfriend hooking up with someone else in your play, and then the light at the end of the tunnel? Move away from every person you’ve ever known or loved and live with strangers and yay, college!

So I harbored all of the usual college-related angst – would I have enough money, would my roommates like me, how would I get to the bank/pharmacy/Target without a car – but some of my worries were more irrational. Example: I became fixated on what would happen if I fell down a flight of stairs and broke my leg. Who would help me? How would I get to the hospital? How would I get home from the hospital? I would probably just die in the stairwell, right?

I hope you don’t think this is a spoiler – Susannah Cahalan does not die in a stairwell at the end of her memoir, Brain on Fire. However, the rest of her story follows my fear down a path so awful that even my wildest anxieties couldn’t have imagined this was a human possibility.

Susannah is a young professional started a journalism career in New York City when she starts feeling tired, getting distracted, and suffering mood swings. Now, please imagine yourself bringing those symptoms to a medical professional – if you even decided to go in the first place, you would be sent home with a prescription of “You are a young professional in New York so calm yourself down and call me once you’ve magically eliminated all of your stressors. Deep breathing. Yoga. Get some sleep, sweetie.” Par for the medical course. But Susannah’s behavior becomes stranger and stranger – blowing work assignments, crying at the drop of a hat and forgetting why in the next moment; and then one night she has a terrifying seizure and her boyfriend takes her to the hospital. For a month, Susannah is shuttled from hospital wing to hospital wing as doctors alternately struggle to figure out what has happened to her, or try to force her into any number of condemning diagnoses – alcoholism, severe manic-depression, sudden onset schizophrena, and more. And what’s more – once the ordeal is over, Susannah can’t remember anything.

This is a medical thriller, like reading an episode of House MD from the patient’s perspective, but it’s also an interesting piece of self-directed journalism. Susannah’s doctors and family try to make sense of her seemingly unexplained symptoms, eventually finding a rare diagnosis (an autoimmune brain disorder that causes sudden psychosis, is largely undiagnosed and misunderstood, and might look to the outside observer like, oh, demon possession). But the work itself is a way that Susannah makes sense of what happened to her, what her life was like before, and what it is like afterwards. The story is devoid of melodrama, there are breaks for medical research (including diagrams), and without a saccharine “and we all lived happy ever after” – Susannah’s journalism training definitely shows. But there’s also the sensitivity of memoir, a certain sense of contemplation in the prose that reminds you that this is autobiographical, a girl’s life, and now she has to deal with the repercussions of what happened. It was a trauma. It might have changed her brain processing forever. Things have changed.

All in all, a quickly moving, sensitive medical memoir that is also completely horrifying. At least if you fall down the stairs and break your leg in public, passersby won’t lock you up in the mental ward. Just sayin’, 18-year-old Jessica. Just sayin’.

02 Jan 2013

your reading life

Reading is something that I do professionally, as a hobby, as a means for social interaction, as a lifelong habit I will never kick. I want to read new books in my field and classics and award-winners and award-contenders, but I also want to read what makes my heart sing. It’s a fine balance that I’m sure many of you lit-folks understand – your reading is a public endeavor, a means to a larger end, but it will still always be a deeply personal, deeply important experience. If it wasn’t, then you wouldn’t read so damn much.

And I saw all of your Goodreads challenge goals yesterday. You guys read too damn much.

Anyway, what I’m trying to say is that there are books you have to read, books you think you should read, books that you want to read, and the beauty of this whole reading thing is that at any given time you have the ultimate freedom to choose. Like any other freedom, this is brilliant and exciting and fun, but also sometimes terrifying.

Anyway, what I’m really trying to say is – I am done with my Cybils reading, my library is filling holds once again, it is the new year, and I am assigning far too much metaphysical importance to which books to read next.

I’ve been thinking about Kelly’s post over at Stacked about Reading Resolutions and Reading Challenges and how, at the end of the day, she finds them personally unsatisfying. Although I am not a person who feels stressed out about goals (HAVE MORE OBVIOUS WORDS EVER BEEN SPOKEN), I also shy away from said challenges, maybe for the same reasons. I might love reading from a syllabus – a proscribed list of Must Reads, if you will – but when the syllabus is a list of titles arbitrarily selected by myself or an outside party, I feel itchy.

So where’s the happy medium? I have no idea. It’s probably different for every professional reader. I have friends who read nothing but Should Reads and Must Reads for weeks, then binge on tawdry romances and trendy adult fantasy for a week or so to reset. Some friends set modest genre quotas for the year, read at least an ARC a month, take recommendations from patrons, read the award winners every year – small moves to keep their reading intentional and professional without submitting that personal reading control.

Personally, this year I’d like to strike this balance by seeking more organic reading patterns. Read deeper into a genre that interests me, read a series straight through, read a chunk of award winners, let a topic pull my interest and read more to get a broader understanding.

One of the most satisfying reading experiences I’ve had was from a graduate class a few years back in which we read an author’s body of work straight through, chronologically; by the end of the run, I felt like I had learned so much about an author’s life, her career, her evolving talent and the ever changing landscape of children’s publishing, but it was also intensely intimate, an almost sure-fire way to make you a lifelong fan. The practice really hit that sweet spot between professionally-useful reading and personally-satisfying reading, and that’s what I’m really going for: reading in a way that fans the flames of professional passion.

I’m thinking I will start off 2013 with one of my favorite genres, one that I didn’t pay much mind to in 2012, and mixing in a little re-reading (which I probably love more than reading). Five romances for the new year for me; cheers to you and your reading year and to books that make you love books!

 

1. Love and Other Perishable Items by Laura Buzo

2. Anna and the French Kiss by Stephanie Perkins

3. The Statistical Probability of Love at First Sight by Jennifer E. Smith

4. The Truth About Forever by Sarah Dessen

5. Meant to Be by Lauren Morrill

 

 

23 Dec 2012

Habibi by Craig Thompson

#1: Habibi by Craig Thompson

I read Craig Thompson’s Blankets many, many years ago. I had never read a graphic novel before, didn’t really know that such a thing existed. Comics were about superheroes, were slim, made of crunchy paper as far as I was concerned. I was too busy falling in love to be surprised that Blankets was none of the above – it was a doorstop of a book full of thick lined illustrations, teenagers in love, and a protagonist that was just the kind of boy that I wished would jump off the page and just love me already.

It took Thompson seven years to complete his next book – Habibi. I was excited, but wary. From the descriptions, it sounded like a completely different story. When I find an author I love, I hope that they will keep making great books, but maybe I also hope they will keep making the same book. An autobiographical coming of age graphic novel told in the Midwestern USA begets another. Habibi was fiction – fantastic fiction, nonetheless! – about non-Western culture. I was wary.

Change of scene: Christmas Day 2011 at my parents’ house. Just like any other Christmas of my life, the day is fun because A) I get to lounge around in your pajamas all day with your family B) I get to eat delicious foods and C) there are new games to play, books to read, CDs to listen to, blankets to cuddle under, movies to watch, etc. You will never be bored on Christmas Day.

But unlike any other Christmas day before it, all I want to do on December 25th, 2011, is read a library book. Habibi.

The story is set in a fictionalized present-day Islamic world – a setting that feels more like a desert, timeless, fairytale landscape than anything else. Our protagonist is Dodola, a very young girl who has been sold into marriage to a much older man, a scribe, who teaches her to read, to write, and the relationship between stories and words to their shared religion. Dodola is kidnapped, but manages to escape and finds refuge with a very young boy – Zam – who has escaped slavery of his own; the two form a family, holed up together in a wooden ship stranded in the desert, growing up together and surviving together, even when that survival means making unspeakable sacrifices.

Over the course of the novel, Dodola and Zam are children and they are adults. They love each other as family and sexually. They are separated and reunited. They are powerful and powerless. Dodola saves Zam and Zam saves Dodola, each in turn. They travel through the desert, into fairytale-like palaces, and then urban slums. They come together, they come apart, and their story is interwoven with stories from the Q’uran, stories Dodola and Zam both turn to in their times of need. Epic is probably the only appropriate word for this story.

But all plot aside, the art. Oh, the art! What Thompson has done with his art is nothing short of breathtaking. Is there such thing as epic art? Yes, and it is here. From the end papers on through all 700+ pages, each spread is a dream, a fantasy – ornate and embellished with dizzying patterns.The single and double page spreads are a particular joy; the art extends to the edge of the page, making you want to stare into each piece until you’re certain you’ve gotten all you can from each one.

I’ve had friends and professors tell me that reading graphic novels should take longer than prose, because it takes time to take in each image and how it relates to the text, how the story moves from panel to panel. I, however, am more prone to flip through them like I’m eating a bag of chips – enjoying but not necessarily nourishing myself or feeling great about the whole greasy mess. As I entered my second day of reading Habibi, I started to think that my preference for haste had been proven wrong. But then again, maybe I’d just never encountered a graphic novel that begged me not just to read, but savor.

And with that, we have reached the end of the 2012 Best Reads Extravaganza! I am exhausted. If you missed any posts, check out this page to catch up. Thanks for playing along friends – I hope y’all had as pleasant a Reading Year as I did!

21 Dec 2012

Life: An Exploded Diagram by Mal Peet

#2: Life: An Exploded Diagram by Mal Peet

A few months after I read Life: An Exploding Diagram, I had the pleasure of hearing Mr. Peet make a small speech regarding his book. Without trying too hard to paraphrase, the gist of Mr. Peet’s message was that despite trying very hard to bore, perplex, or perhaps even offend an American audience with the content of his latest book, by gum, here was an awards committee that not only read the darn thing, but decided to give it an honor.

This book spans generations, straddles genres, is questionably even young adult literature, consists of only about 65% narrative, and stars a usually heroic young American President in a decidedly unflattering light.

But I love love loved it anyway; it’s one of those books that you tell everyone to read even though they might not like it and then your heart might break, but then they all do love it, your picky friends, your not-so-picky friends. Your sister leaves you a voicemail asking “Clem and Frankie end up together… right?” and you know immediately who she is talking about. And it warms your damn heart, restores your faith in the world a bit, that books like this can exist and you can share them with the ones you love.

 

~

Let me tell you this about my grad school experience… early in 2009, I was putting concerted effort into “reading widely across genres.” I gave myself 10 “slots” for books each month, and tried to fill in the first five with different genres – YA Fiction, Juvenile Nonfiction, Adult Fiction, etc. By April, I had set my academic course (aka wrote some deposit checks) on a path towards a children’s literature degree. By April, I’d also become weary of “reading widely.” It was hard. Uncomfortable. I would rather just read and re-read my favorite books and authors, ya know?

So one of the things I found exciting about a children’s lit degree was the prospect of a Syllabus! I longed for someone to tell me what to read (see also: Marriage). And although I watched new releases pass me by for three years, and every semester I reached a point where all I wanted was to read ANYTHING that wasn’t 19th century/realism/taking place on Mars, I discovered so many genres and authors that I never would have given a second chance otherwise.

See: Historical Fiction. If you had asked me in 2009 if I would like to read a book about teenagers in Scotland in 1952 (that starts with 50 or so pages detailing THEIR parents’ and grandparents’ heritage and history), and that can also legitimately classified as a book ABOUT the Cuban Missile Crisis? I would have certainly laughed mightily, either in my mind or later after you left the room. Perhaps I would discredit your future book recommendations completely. Who knows, it was 2009, I was ruthless back then.

However, it is 2012, and I just read Mal Peet’s Life: An Exploded Diagram and I loved it I loved it I loved it so much. It is everything I described above, yes, but don’t be afraid. The family heritage bit is actually pretty brief, and mostly humorous. The historical retelling of the Cuban Missile Crisis is actually interesting, especially for me, who felt suddenly shamed to realize that even after XX years of history courses, I knew NOTHING about this incredible moment in US history. The narrator is a likeable, knowledgeable, and cheeky guide through this all.

But what wraps it all up in a delicious package is The LOVE STORY. Oh, there is a love story, a first love story, that is so evocative, so touching, and at times, downright steamy. Peet knows what he is doing when he alternates chapters here, teasing you into being interested in JFK because you know there’s another chapter of romance when you finish.

And the ending. Agh, the ending! This is a terrible review, I realize, but after you read this ending, you will think that every other novel’s conclusion was more of a lame fizzle, a drag-out, a ramble on. Peet? He has written here an Ending, capital-E-, practically Hollywood worthy, throw your book down and gasp-worthy.

Gush gush gush glow glow glow, please drop what you are doing and pretend like you are desperate to learn more about JFK’s early presidency so you will not waste another moment of your life not reading this book! Consider it your syllabus for the month.

 

 

20 Dec 2012

Bomb by Steve Sheinkin

#3: Bomb: The Race to Build –and Steal — the World’s Most Dangerous Weapon

by Steve Sheinkin

Once upon a time, I heard Mr. Steve Sheinkin give a speech regarding a little book he wrote about Benedict Arnold. Sheinkin, if I recall correctly, charmed all of us graduate students. This is probably not saying too much, since in the midst of seemingly interminable swamp of academics, job juggling, and constant overachieving anxiety, the promise of a free glass of wine and a plate full of cheese was enough to charm us – the presence of any young-ish, attractive-ish man who knew how to sting together a witty sentence or two was enough to send us into conniptions.

“Charming,” I recall thinking, “but the chance of me reading a book about Benedict Arnold is just exceeding, overwhelmingly slim.”

It took me about 25 years to actually give a rip about history. I don’t know what’s to blame – uninspiring public school curriculum, torturous memories of My Brother Sam is Dead and Sign of the Beaver, the overwhelming reading assignments in HIS 107, general Gen X/Y narcissism. I don’t even remember what tipped me over, but I get it now. The feeling of fascination when you learn something about your world that you didn’t know, that you probably couldn’t ever imagined. The feeling of incomparable smallness when you realize how much in the world you have missed, that you will never fully understand, that you will never experience. The feeling of divine interconnectedness when you realize that these fascinating events, these people who will never meet, the heroes, the villains – you are all part of this world puzzle, your life significant and insignificant in equal measure.

Maybe if I’d read Steve Sheinkin’s Bomb: The Race to Build — and Steal — the World’s Most Dangerous Weapon when I was an eleven or twelve year old, then I would have caught the bug. It’s one thing to read in a textbook that World War II ended when we dropped an atomic bomb on Japan. It’s quite another thing to have Sheinkin tell you, piece by piece, week by week, how political decisions led the US to pursue an atomic bomb, how a motley crew of the finest scientists were recruited to leave their careers and studies and figure out just how build one, how German, Russian, and American spies risked their lives to keep nuclear secrets from the enemy, or destroy the enemy’s attempts. This is nonfiction, yes, but this is nonfiction that rollicks and rolls and  reads like a spy novel… but a spy novel populated with geeky scientists, so much better than an actual spy novel.

So, Sheinkin has thus succeeded in making rote history (that I was supposed to learn about in five or ten history classes of my youth) interesting. Good job, Steve – your skills in plotting and tension are admirable. But what about all that feeling… that part that makes history not only interesting but meaningful. Well, let me assure you, Bomb has this in spades. With very careful research and top notch characterization, Sheinkin lets you know who each character is and why you should care about them, and why you should care about their contributions to history – large or small – and how their bits of influence have impacted our country, our culture, our world. This is especially commendable because, as you can imagine, the cast of characters that had their hands in the nuclear race and surrounding political conflicts, was vast. You will get to know them all.

And in case that wasn’t enough, I will tell you that the ending punched me square in the gut. I raced to finish, I was horrified of what I read, I stayed up late but wasn’t sure I’d be able to sleep.

This was a long way of saying, yeah, I’m gonna read that book about Benedict Arnold.